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| Address 5416 Dwinelle Hall University of California Berkeley, CA 94720 510.642.2001 E-mail: dgokturk@berkeley.edu |
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Bio Deniz Gokturk was born in Istanbul, studied in Konstanz, Norwich(GB), and Berlin, where she received her Ph.D. in 1995. She joined the German Department at Berkeley in fall 2001. Her publications include a book on literary and cinematic imaginations of America in early twentieth-century German culture as well as numerous articles on migration, culture and cinema. As a translator from Turkish into German she has translated novels and co-edited an anthology of contemporary Turkish literature. She is co-editor of The German Cinema Book (2002, published by the British Film Institute, co-edited with Tim Bergfelder and Erica Carter). She has been collaborating on an interdisciplinary research project on "Axial Writing: Transnational Imagination and Cultural Policy" (funded by the Economic and Social Sciences Research Council "Transnational Communities" Program). She is currently working on a book on "Disguise in Diaspora: Transnational Perspectives on Comedy and Community." She teaches courses on "Transnational Cinemas", "Comedy & Community", "World Cinema/Global Cities", "Nation & Representation". |
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Publications Books
Kunstler,
Cowboys, Ingenieure: Kultur- und mediengeschichtliche Studien zu
deutschen Amerika-Texten 1912-1920. Munchen: Wilhelm Fink Verlag,
1998. 265 pp.
The German Cinema Book. Co-edited with Tim Bergfelder and Erica Carter. London: BFI, 2002. Articles
"Neckar-Western
statt Donau-Walzer: Der Geschmack von Freiheit und Abenteuer im
fruhen Kino." KINtop: Jahrbuch zur Erforschung des fruhen Films
2 (1993): 117-142.
"Schwarzes
Buch in Weißer Festung: Entschwindende Erzahler auf postmodernen
Pfaden in der turkischen Literatur." Der Deutschunterricht
5 (1993), Special Issue: "Literatur fremder Kulturen: Turkei":
32-45.
"How
Modern Is It? Moving Images of America in Early German Cinema."
Hollywood in Europe. Ed. David Ellwood and Rob Kroes. Amsterdam:
Amsterdam University Press, 1994: 44-67.
"Atlantis
oder Vom Sinken der Kultur: Nobilitierung des fruhen Kinos im Autorenfilm?"
Schwarzer Traum und weiße Sklavin. Ed. Manfred Behn. Munchen: text
+ kritik, 1994: 73-86.
"Muttikulturelle
Zungenbrecher: Literaturken aus Deutschlands Nischen." Sirene:
Zeitschrift fur Literatur 12/13 (1994): 77-92.
"Metamorphosen
des Eigenen in der Begegnung mit dem Fremden: Der Garten entschwundener
Katzen von Bilge Karasu." Sirene: Zeitschrift fur Literatur
12/13 (1994): 159-168.
"Wahrnehmung,
Vorstellung und Darstellung des Fremden in der Literatur."
Diyalog 3 (1994): 41-47.
"Meat
& Movies: On Market Globalization and Import Regulation in Imperial
Germany." Film and the First World War. Ed. Karel Dibbets and
Bert Hogenkamp. Amsterdam: Amsterdam University Press, 1995: 188-197.
"Moving
Images of America in Early German Cinema." A Second Life: German
Cinema's First Decades. Ed. Thomas Elsaesser. Amsterdam: Amsterdam
University Press, 1996: 93-100.
"Verstoße
gegen das Reinheitsgebot: Migrantenkino zwischen wehleidiger Pflichtubung
und wechselseitigem Grenzverkehr." Multikulturalismus und Popularkultur.
Ed. Ruth Mayer and Mark Terkissidis. St. Andra/Wordern: Hannibal
Verlag, 1998: 99-114.
"Kennzeichen:
weiblich, turkisch, deutsch, Beruf: Sozialarbeiterin, Schriftstellerin,
Schauspielerinþ" Frauen Literatur Geschichte - Schreibende
Frauen vom Mittelalter bis zur Gegenwart. Ed. Renate Mohrmann and
Hiltrud Gnug. Stuttgart/Weimar: J. B. Metzler, 1999: 516-532.
"Turkish
Women on German Streets. Closure and Exposure in Transnational Cinema."
Space in European Cinema. Ed. Myrto Konstantarakos. Exeter/Portland:
Intellect, 2000: 64-76.
"Migration
und Kino - Subnationale Mitleidskultur oder transnationale Rollenspiele?"
Interkulturelle Literatur in Deutschland. Ein Handbuch, ed. by Carmine
Chiellino, Stuttgart/Weimar: Metzler, 2000: 329- 347.
"Turkish
delight - German fright: Migrant identities in transnational cinemas".
Working paper for the ESRC Transnational Communities Research Programme:
www.transcomm.ox.ac.uk
"Turkish
delight - German fright: Migrant identities in transnational cinemas".
Mediated Identities, ed. by Deniz Derman, Karen Ross and Nevena
Dakovic. Istanbul: Bilgi University Press, 2001: 131-149.
"Turkish
delight - German fright: Migrant identities in transnational cinemas".
Mapping the Margins: Identity Politics and the Media, ed. by Deniz
Derman and Karen Ross, Hampton Press, 2002.
"Turkish
Cinema". Chapter for Companion Encyclopedia of Middle
Eastern and North African Film. Co-authored with Nezih Erdo¼an,
ed. by Oliver Leaman. London: Routledge, 2001: 533-573.
"Strangers
in Disguise: Role Play beyond Identity Politics in Anarchic Film
Comedy." Iconographies of Power. Poetics and Politics of the
Image, ed. by Ulla Haselstein, Berndt Ostendorf, Peter Schneck,
Heidelberg: Carl Winter, 2003.
"Strangers
in Disguise: Role Play beyond Identity Politics in Anarchic Film
Comedy." (Accepted by New German Critique, in press).
"Anyone
at Home? Itinerant Identities in European Cinema of the 1990s."
Framework. Special Issue on Middle Eastern Cinema 43.2 (Fall 2002): 201-212.
"Beyond Paternalism: Turkish German Traffic in Cinema". The German Cinema Book, ed. by Tim Bergfelder, Erica Carter, Deniz Gokturk. London: BFI, 2002: 248-256. "Spectacles of Multi-Culturalism in the New Berlin," The New History of German Literature (Harvard University Press, in press). |
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